Ethnic Folk Dance Choreography is Created in the Presentation of Love

International Journal of Humanities and Social Science
© 2022 by SSRG - IJHSS Journal
Volume 9 Issue 2
Year of Publication : 2022
Authors : Zeng Zimo
pdf
How to Cite?

Zeng Zimo, "Ethnic Folk Dance Choreography is Created in the Presentation of Love," SSRG International Journal of Humanities and Social Science, vol. 9,  no. 2, pp. 57-61, 2022. Crossref, https://doi.org/10.14445/23942703/IJHSS-V9I2P108

Abstract:

This research on the national folk dance works on the emotional presentation and cohesion of the way, ideological concept, theme characteristics, the role of the choreographer, props, and the method of editing and creating shows the whole emotional line of the work and so on. the aim is to take emotion as the mainline, to promote the creative path of national folk dance artworks, the development of pluralism; the performance art is integrated into the works, inheriting and innovating, keeping pace with the times, and realizing the sustainable and healthy development of national folk dance.

Keywords:

National folk dance emotion choreography, Artistic expression, inheritance and innovation.

References:

[1] Wei Ting, The Innovative Road of Dance Reality Shows: Taking 'Dance Storm' as an Example, Drama House, 2020.
[2] Liu Hui, “Analysis of the Influence of Media Development on Contemporary Dance Art Creation,” China Press, vol. 4, pp. 89-90, 2018.
[3] Wang Jue, Let High Art Reach the Masses, People's Daily, 2018.
[4] Zhang Zhaoxia, Introduction to New Media Dance, Beijing: Intellectual Property Press, 2012.
[5] Mei Lijuan, “Analysis of Zhang Jigang's Dance Creation Characteristics,” Music and Dance, vol. 10, 2014.
[6] Li Xue Art, “Ideology and Politics go Together a Study on the Strategy of Integrating Ideological and Political Education into the Curriculum of Chinese National Folk Dance Plays,” Journal of Jiamusi Vocational College, vol. 38, no. 4, pp. 89-91, 2002.
[7] Dong Yanru, This Paper Discusses the Relationship and Application of Emotion and Emotion in Stage Folk Dance Performance, Drama House, pp. 139-141, 2002.
[8] LV Yisheng, On Chinese National Folk Dance, Also on the Urban Folk Dance, Research on Culture and Art, vol. 15, no. 1, pp. 92-103 + 116, 2022.
[9] Li Weixi, Taking the New Folk Dance as the Person in Dance: on the Advantages of Chinese National Folk Dance Teaching in Developing Quality Education in Art Associations in Colleges and Universities, Art Evaluation, vol. 3, pp. 96-99, 2022.
[10] Zhang Xiaoqi, “Explore the Charm of the Classroom Language Use of National Folk Dance,” Sichuan Culture and Art Research, vol. 0, pp. 85-88, 2021.
[11] Zheng Chujin, “On the Causes of the Current Situation of the Stage Development of National Folk Dance,” National Family, vol. 1, pp. 52-54, 2022.
[12] Fan Runchang, “On the Principle of Three Natures in the Teaching of Chinese National Folk Dance,” Art Evaluation, vol. 2, pp. 133- 136, 2002.
[13] Ma Li, “Wenbo National Folk Dance Should Focus on Expressing National Experience,” 2017.
[14] Mao Hongqing, and Gao Zhiyi, “On How to Learn National Folk Dance Well,” Journal of Shandong Youth Management Cadre College, vol. 2, pp. 155-157, 2009.
[15] Peng Kuan, National Folk Dance Should Go Deep Into Life To Find Roots, China Art, Daily, 2009.
[16] Zhang Xiaolei, Follow the Tradition and Be Brave in Innovation - An Analysis of the Value Orientation of Chinese Folk Dance Classroom Composition, Journal of Liaoning Higher Vocational College, vol. 12, no. 7, pp. 76-77 + 90, 2010. Theoretical Research, Chinese Journal of Education, vol. 2, p. 142, 2002.
[17] Cao Likun, “Research on Chinese National Folk Dance Teaching Method Combined With Music and Dance,” Hebei University, 2013.
[18] Zhang Chuan, On the Significance of Original Ecological Folk Dance to the Compilation and Creation of Professional National Folk Dance, Beijing Dance Academy, 2015.
[19] Shi Fangguo, On the Importance of Collecting Wind to the Compilation and Creation of National Folk Dance, Yalu River (Second Half Edition), vol. 7 , p. 2552, 2015.
[20] Wang Jieqiong, and Wang Shengsheng, The Future and Return of Chinese Folk Dance, Sidelights of the Symposium on the Development of Chinese Folk Dance Lotus Award [J / OL] Dance, vol. 1, pp. 17-22, 2022.
[21] Tian Xue, “Research on the Value of Basic Training of Chinese Classical Dance in the Teaching of Chinese National Folk Dance,” Comedy World (First Half of the Month), vol. 1, pp. 91-93, 2022.
[22] Bowen, Research on the Teaching Reform of National Folk Dance in Higher Vocational Colleges, Daguan (Forum), vol. 12, pp. 138- 139, 2022.
[23] Liu Chang, The Fusion of Nationality and Modernity in Creating National Folk Dance, Art Review, vol. 35, pp. 121-123, 2021.